BREAKING SELF
acrylic on fabric
122 x 91 cm (48X36 inches)
(this painting is the collaborative result for the exhibition in USA. The details of the exhibition will be announced on instagram and facebook page.)
Fabric is not just material but a site of social struggle. Clothing has become the object of a tug of war between patriarchal and feminist ideas of how women live in society. For generations, fabric has been used to encase traditional notions of femininity, however, a movement of resistance to both military and patriarchal power is springing up to fight this.
This project weaves together history, culture and religion to tell the story of this struggle.
In Myanmar, tradition maintains that a man’s ‘hpone’ (their masculine essence) can be lost if he passes under female clothing such as the longyi, a traditional long skirt ubiquitous in Myanmar. This belief is so common that it is unquestioned by almost all Burmese people. In everyday life, for instance, women will not hang their clothes higher than male clothes or will even hide them while drying for fear of ‘contaminating’ the male’s ‘hpone’.
Because of these beliefs, feminist resistance within Myanmar society has sometimes been able to use their clothing as a weapon and a flag of rebellion. During recent skirmishes following the 2021 military coup, streets in Yangon and other urban centers were draped in women’s longyis, goading the military soldiers who, trapped by superstition, refused to walk under the garments and thus would not enter these communities of resistance. This movement became known as the Sarong Revolution.
On the other side, the Military began a campaign forbidding woman from wearing any other
garments except the longyi, believing that all other clothing styles were an assault on the
traditional culture of Myanmar and assuming a self-appointed role as ‘guardians of tradition’ from outside influences.
Throughout her career. Chuu’s artwork has drawn on multiple influences and themes. In this project, she has woven these various themes together to create a blended aesthetic that highlights her diverse set of interests and passions.
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
121 x 91 cm (48×36 in)
Acrylic on Burmese fabric
This artwork is a customised creation for a private collection.
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
121 x 91 cm (36×48 inches)
Acrylic and paper collage on Burmese fabric
(This painting is being exhibited at the Bangkok Art and Culture Center (BACC). The collection is only accepted for reservation now, with availability for collection starting in February 2024. For reservations, please contact via email)
AVAILABILITY: Out of stock
AVAILABILITY: Out of stock
acrylic on traditional fabric
122 x 91 cm (48X36 inches)
AVAILABILITY: Out of stock
A pride of being who you are, knowing what you want, valuing your existence is the motif of this framework. The unique fabric patterns merged the traditional props which innovated intimacy, highlighting the innermost nature of womanhood/femininity.
Proudly withholding against the current culture of daily lives for treating women-wears as dark things to make men’s souls dirty by touching, using, washing or hanging together.
Women should be freely able to discuss intimate subjects about their sexual livelihood and deemed to be explicit topics by society, without being frowned upon by the conservative public.
AVAILABILITY: Out of stock